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Blanka Amezkua
Artist
My creative work is driven by my profound interest in traditional techniques and personal, cultural concerns. My current project involves research I began at the Hispanic Society in 2021, expanded at Wave Hill in 2022 and continued during at Lost and Found Lab in Cos Cob during my residency in January 2023.
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Carlos Wildredo
Artist
Carlos Wilfredo Encarnación is a visual artist and educator born and raised in Puerto Rico. Encarnación received a BA in Social Sciences/Forensic Psychology from the Universidad de Puerto Rico, a BA in Painting from CUNY-Herbert H. Lehman College, and a MFA from CUNY-The City College of New York
BLANKA AMEZKUA
After experiencing COVID-19, I learned of the existence of the Codex de la Cruz-Badiano or the Aztec Herbal book in the Hispanic Society’s library collection created in 1552. I am currently unearthing new ways to deepen my work as I learn more about this fascinating book. The information it preserves is directly connected to a pre-1492 way of life - an ancient cosmovision of magic, deep reverence for the earth, and an understanding of its alchemy. I am expanding my knowledge about native plants mentioned in the codex and representing the illustrations found within in an exciting new ways.
As the field begins to turn attention to decolonizing museum spaces, I am invested in the ways in which we re-indigenize our own practices as artists. What are the tools of survival we inherit from our ancestors and their traditions? What can they teach us, not only about how we make work, but how we move in the world, how we share and create space?
I am currently unearthing new ways to deepen this fascinating work. The images of my color paper cutouts represent all the medicinal plants illustrated in the 13 chapters of the Codex de la Cruz-Badiano. While the codex features 185 illustrations of medicinal plants, it refers to over 200. Each color paper cutout is dedicated to a specific chapter, encompassing only the medicinal plants illustrated within that section.
CARLOS WILFREDO
I create mixed media paintings, drawings and collage artworks fusing imagery from tropical flora, fauna and Puerto Rican popular and pre-colonial arts. With these influences, I develop imaginative patterns that symbolically touch upon transformation, mutability and resilience. Through decorative biomorphic elements, I explore dualistic narratives and interpretations of nostalgia that relate to personal and collective experiences of dislocation. With this exploration I combine memories surrounding diasporic experiences with the traditions and heritage from my motherland, while simultaneously contrasting current realities and sociohistorical references. My practice is introspectional in scope and serves as a place for mediation in which I redefine and embrace other meanings and paths toward connectedness.
This series of digital collages called “Bodegones”, is a re-imagination of the still-life painting tradition of tropical produce from the 19th century in Puerto Rico and the cement tiles commonly found in many Puerto Rican households as in the ones I lived in growing up in the Island. With patterns and mirrored imagery of fruits and fly motifs, I explore the conflicts of the in-betweenness, nostalgic narratives, and the possibility for transformation. “Bodegones” is an ongoing body of work where I reflect on some of the discoveries, changes and challenges of my diasporican experience.